to a new one, until the reader is left, having climbed to the top of a ladder of tension and gone nowhere. The sentences are short. Magnified apples appear and disappear, Stem end and blossom end, And every fleck of russet showing clear. Are you trying to tell me that I dont know what Im doing when I paint?
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Frost makes poetry by simply describing and evoking the every day; and doing so in ordinary speech. Heres another image to help visualize what Im describing. Theres nothing poetic about such a line or statement; and thats part of its beauty and memorableness. Theres a kind weightlessness, right after the dreaming and at the center of the poem, seems almost meant to imitate the dreaming exhaustion of the poem itself. The rhyming couplet fall/all adds to the sense of symmetry, hearkening back to the couplet bough/now. The point here is that part of what makes this poem so powerful are the concrete images and the evocation of our senses. I wont go so far as to say that close-readers who suggest this allusion are wrong, but where do we honestly draw the line? Significantly, even as he falls into a complete sleep, the narrator is unable to discern if he is dying or merely sleeping; the two are merged completely in the essence of the oncoming winter, and Frost refuses to tell the reader what actually happens. The apples from the Tree of Knowledge were the fruit that Adam and Eve were forbidden to eat, yet they still did and this conveys a feeling of great tension and regret as in the first few lines.